


Review: The Lion King: The Gift by Beyoncé
Described as a “love letter to Africa”, The Lion King: The Gift, an album produced by Beyoncé, is inspired by the live-action remake of...

Review: Revenge of the Dreamers III by Dreamville
Since its announcement in January, Revenge of the Dreamers III has arguably been the most anticipated hip-hop release of the year. From...

Artist Profile: Sam Fender
Fresh off the back of a year of touring, the beginning of 2019 saw Sam Fender win the BRITs Critics' Choice Award. Hailing from a...

When You Stop Loving Something You Used To
For every music enthusiast reading this, the satisfaction and excitement of discovering new music is a feeling we’re all very well...

Is Positive Rap Killing Hip-Hop?
Chance The Rapper’s rise to celebrity wasn’t foreseeable after his second mixtape, Acid Rap. To me, he was eccentric, charismatic,...

Review: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? by Billie Eilish
When now 17-year-old Billie Eilish first came on to my radar not too long ago, almost immediately after listening to a few singles, I...

Review: Ventura by Anderson .Paak
Just five months since the release of Oxnard, Anderson .Paak returns with Ventura, and it’s difficult not to compare the two. When an...

Review: PSYCHODRAMA by Dave
I’ve always had a love-hate relationship with albums from prominent UK rappers. To me, they’ve always been a collection of songs, a...

Review: Free Spirit by Khalid
As I’m writing this it’s been a week since the release of Khalid’s second album, Free Spirit. The follow up to his debut American Teen,...













